Furthermore Iago here can be seen using the Elizabethan stereotypes of black men in 17th Century Britain to his advantage. Left in the conduct of the bold Iago, Whose footing here anticipates our thoughts. Iago et Roderigo se rendent chez Brabantio pour lui apprendre que sa fille, Desdémone, a quitté le toit paternel pour rejoindre Othello. 231. IV,2,3000. In his duplicitous fashion, what bold statement does Iago make about Desdemona and Othello? Iago élabore un plan pour faire venir Cassio dans la pièce alors qu'Othello est à portée de voix et déclare qu'il le fera avouer de cette affaire. She's come here seven days earlier than I expected. A jealous husband, as he hints? Before the Venetian Senate, Brabantio accuses Othello of bewitching Desdemona. Ses officiers et sa femme l'accompagnent. If Il est dès lors convaincu d'avoir été trahi, au point de demander à Iago de tuer Cassio (chez qui Iago est allé déposer le mouchoir). https://fr.wikipedia.org/w/index.php?title=Iago&oldid=176117298, Article utilisant l'infobox Personnage (fiction), licence Creative Commons attribution, partage dans les mêmes conditions, comment citer les auteurs et mentionner la licence. Elle le révèle aux nobles présents, Iago la frappe de son épée et s'enfuit, poursuivi par Montano. Exeunt OTHELLO, DESDEMONA, and Attendants. Left in the conduct of the bold Iago, Whose footing here anticipates our thoughts : A se'nnight's speed. IV,2,2995. May Jove guard Othello and send his ship quickly here, so that he may bless us with his arrival, embrace Desdemona in love, and rekindle the fire in … When Iago tells Othello to, “Look at [his] wife; observe her well with Cassio,” Othello believes what Iago tells him to be the complete truth because of he and Iago’s past together (3.3.211). Othello is presented as gentlemanly and honorable, true contrast to how Iago and Brabantio have been depicting him previously in the play. Othello a été adaptée de nombreuses fois au cinéma, la première adaptation ayant eu lieu en Allemagne en 1907 par Franz Porten. Ce dernier parvient à le convaincre qu'il agit bien dans son intérêt et qu'il lui faut tuer Cassio pour obtenir Desdémone. CASSIO Why, no; the day had broke Before we parted. IAGO I'll send her to you presently; Ad. Great Jove, Othello guard, ... Iago's Motives: The Relationship Between Othello and Iago Shakespeare and Race: The Relationship Between Othello and Desdemona From the beginning he expressed his hatred towards the Moor, or North African named Othello. Emilia le surprend alors qu'elle venait le prévenir de l'agression de Cassio, Othello lui dit qu'il l'a tuée parce qu'elle l'avait trompé, chose qu'il confirme devant les nobles attirés par le bruit, prenant comme preuve le mouchoir. H owever, while Iago was setting up everything to go down hill, it is not 100% his fault. So Iago lies to him. It is inferred that this “maiden never bold” her Father describes does not know her own mind; she should be fearful of Othello, not attracted to him. Abd el-Ouahed ben Messaoud secrétaire du souverain marocain et ambassadeur à la cour de la reine Élisabeth Ire d'Angleterre en 1600 a inspiré Shakespeare pour le personnage d'Othello, une peinture est visible au Shakespeare Institute, à Stratford-upon-Avon. OTHELLO Amen to that, sweet powers! OTHELLO Iago is most honest. Othello becomes the victim of a domestic calamity. Othello trusts Iago totally as Iago has a reputation in Venice for being very honest: "my ancient; / A man he is of honest and trust.' Enter a fourth Gentleman ... Othello, has also disappeared. [Enter OTHELLO, IAGO, and Gentlemen] OTHELLO These letters give, Iago, to the pilot; And by him do my duties to the senate: ... IAGO Ay, there's the point: as--to be bold with you-- Not to affect many proposed matches Of her own clime, complexion, and degree, Enter IAGO. Cet article est extrait de l'ouvrage Larousse « Dictionnaire mondial des films ». Left in the conduct of the bold Iago, Whose footing here anticipates our thoughts : A se'nnight's speed. Iago convincingly states: “As, to be bold with you,/ Not to affect many proposed matches/ Of her own clime, complexion, and degree,/ Whereto we see in all things nature tends” (I. i. « Être à présent un homme sensé, tout à l'heure un fou, et bientôt une brute », « Si je meurs avant toi, je t'en prie, ensevelis-moi dans un de ces draps », The Tragedy of Othello, The Moor of Venice, https://fr.wikipedia.org/w/index.php?title=Othello_ou_le_Maure_de_Venise&oldid=176064007, Pièce de théâtre se déroulant au Moyen Âge, Catégorie Commons avec lien local identique sur Wikidata, Article contenant un appel à traduction en anglais, Portail:Littérature britannique/Articles liés, licence Creative Commons attribution, partage dans les mêmes conditions, comment citer les auteurs et mentionner la licence. Iago est un officier au service du général vénitien Othello. Cassio suit le conseil de Iago qui s'arrange pour qu'Othello assiste de loin à la conversation entre les deux jeunes gens ; avec une habileté diabolique, il fait naître l'inquiétude dans l'esprit d'Othello ; Othello lutte contre ces soupçons, mais Iago suggère que si Desdémone se fait l'avocate de Cassio, cela peut signifier qu'ils ont une liaison. This audience perspective is what Shakespeare maintains throughout Othello, so that we continually refract our views of Roderigo, Brabantio, Cassio, Othello, and even Desdemona through Iago's eyes, as Kent Cartwright confirms in Shakespeare's Tragedy and Its Double: "Through fourteen of the fifteen scenes of Othello, the audience shares its discrepant awareness with Iago" (142). CASSIO 32 Why, no; the day had broke 33 Before we parted. The contrast of good versus evil is created by all the other contrasts revealed in Othello. L'auteur s'est inspiré d'une histoire de Giovanni Battista Giraldi, la septième nouvelle de la troisième décade de l'Ecatommiti. I have made bold, Iago, 34 To send in to your wife: my suit to her 35 Is, that she will to virtuous Desdemona 36 Procure me some access. Though in the trade of war I have slain men, Yet do I hold it very stuff o' the conscience To do no contrived murder: I lack iniquity 205 Sometimes to do me service: nine or ten times I had thought to have yerk'd him here under the ribs. Pour le reste de la pièce, Iago tisse un flot de mensonges qui infecte tout le monde. 10 : To DESDEMONA : Come, my dear love, The purchase made, the fruits are to ensue; That profit's yet to come 'tween me and you. Othello, réhabilité, reçoit pour mission de partir défendre Chypre contre les Ottomans. When Iago tells Othello to, “Look at [his] wife; observe her well with Cassio,” Othello believes what Iago tells him to be the complete truth because of he and Iago’s past together (3.3.211). Iago makes the statement that Desdemona and Othello never belonged together. L’auteur s’est également inspiré de l’histoire de Sampiero Corso pour son personnage d’Othello, notamment la tragique affaire qui a vu le colonel corse tuer sa femme Vannina d’Ornano de ses propres mains pour trahison. Othello, trompé par les commentaires de Iago, est persuadé qu'ils parlent de manière désobligeante de sa femme. [Enter OTHELLO, IAGO, and Attendants with torches] Iago. He is the only one in the play who speaks to the audience, and his bitter rants about Othello and Cassio, his casual dismissal of women as worthless prostitutes, and his gleeful self-congratulation about the nasty things he's doing are the foundation of how we view the story: Enter IAGO In happy time, Iago. Dans une école très WASP (élèves et professeurs très anglo-saxons protestants et blancs) l'arrivée d'un nouvel élève, noir, va exacerber les passions. Iago – O sir, content you./I follow him to serve my turn upon him.” (1.1.38-42) and therefore telling Iago of Othello’s wrongs in choosing Cassio over him, adding to Roderigo’s reasons for hating Othello. Bloom: He is motivated by the ontological catastrophe of having been passed over for promotion by Othello, whom he had worshiped as the god of war, his only religion. Exeunt OTHELLO, DESDEMONA, and Attendants. Iago says to Othello, “O, beware, my lord, of jealousy; it is the green-eyed monster which doth mock the meat it feeds (Othello Act 3 Scene 3).” The meaning of this quote is Good night. The second is by Desdemona, who–heaven help him and her–wishes to put in a good word for Cassio. This page contains the original text of Othello Act 2, Scene 1.Shakespeare’s original Othello text is extremely long, so we’ve split the text into one Scene per page. Why, by making him uncapable of Othello's place; knocking out his brains. Othello, pensant Cassio mort, décide de tuer sa femme. Michael, good night: to-morrow with your earliest Let me have speech with you. Ils cherchent à discréditer le Maure, qui aurait bafoué l'honneur de Brabantio. Cassio regrette aussitôt son geste : « Être à présent un homme sensé, tout à l'heure un fou, et bientôt une brute » (Acte II, scène 3). I have made bold, Iago, To send in to your wife. Othello réclame de nouveau la mort de Cassio et jure d'empoisonner sa femme que Iago lui conseille d’étrangler dans son lit. CASSIO Welcome, Iago; we must to the watch. This shows that Iago’s appearance is extremely unlike his character. Brabantio accuse Othello d'avoir séduit et déshonoré sa fille, mais celui-ci se défend et révèle qu'il a épousé la jeune fille et que le mariage n'a pas été consommé. IV,2,3003. Iago l'incite à solliciter l'intercession de Desdémone. … Enter IAGO. Emilia comes in to tell Cassio that Desdemona has already spoken for him, but that Othello is arguing that it would harm his reputation to restore Cassio. IAGO You have not been abed, then? La folie particulière développée par le personnage dOthello, peut-être plus que tout autre, a marqué les esprits par sa justesse et son universalité. Act 1, scene 3. Othello, de plus en plus soupçonneux, demande à sa femme de lui montrer le mouchoir, ce qu'elle ne peut évidemment pas faire. IAGO I’ll send her to you presently, 40 And I’ll devise a mean to draw the Moor Othello, le Maure de Venise (Othello, the Moor of Venice en anglais) est une tragédie de William Shakespeare, jouée pour la première fois en 1604. Le personnage de Iago a également inspiré Agatha Christie dans son roman Hercule Poirot quitte la scène (titre original : Curtain), avec le personnage de Stephen Norton. Cherchant Othello, ils le trouvent alors qu'il vient de recevoir une convocation … Emilia comprend alors que Iago est responsable de tout. The duke and the senators discuss the movements of the Turkish fleet and conclude that its target is, indeed, Cyprus…. Un article de Wikipédia, l'encyclopédie libre. Act 2, scene 1 . Iago begins to plot against Othello. 'Tis better as it is. The different gradations of status embedded in the text are often represented in military terms, with Iago presented as a rough-speaking non-commissioned officer, resentful of Cassio’s rank and courtly manners. La dernière modification de cette page a été faite le 1 novembre 2020 à 07:37. Desdemona's handkerchief becomes an important piece of stage business. CASSIO 32 Why, no; the day had broke 33 Before we parted. In the first scene, he claims to be angry at Othello for having passed him over for the position of lieutenant (I.i. He sees Desdemona’s free spirited attitude as something to be proud of, not something that needs to be toned down: Tis not to make me jealous Lorsque Iago est ramené prisonnier, tout son complot est révélé par Cassio, amené sur un brancard, et deux lettres trouvées sur le corps de Roderigo. Son récit est confirmé par Desdémone. Othello. SCENE 1. ‘Great Jove protect Othello. Ce dernier a une totale confiance en lui, mais Iago le hait secrètement : il est persuadé que sa femme, Emilia, le trompe avec Othello, et est mécontent d'avoir été supplanté par Cassio pour une promotion. To DESDEMONA. However, Othello has no reason to believe Iago would lie to him. By the same logic, Desdemona would prefer Cassio, who is like her in age, race, and class, as opposed to Othello who is older, black and unattractive (1538). 232-236). Othello perceives the handkerchief as Desdemona’s, which hardens his doubts that Desdemona and Cassio are having an unsanctioned romance. OTHELLO : Iago is most honest. Le théâtre de Shakespeare est caractérisé par des descriptions minutieuses des passions humaines et de la folie qui souvent les accompagne. Roderigo, qui a l'impression d'avoir été manipulé par Iago, lui demande des comptes. Othello is amused at Iago warning him about the green-eyed monster jealousy, replying disbelievingly “ think’st thou I’d make a life of jealousy ?”. OR: Do you think Shakespeare has any sympathy for Iago? La dernière modification de cette page a été faite le 30 octobre 2020 à 17:18. Left in the conduct of the bold Iago, Whose footing here anticipates our thoughts A se'nnight's speed. IAGO 31 You have not been a-bed, then? Il hésite, car il l'aime encore, et malgré les dénégations de sa femme devant ses accusations, il l'étouffe. This behavior serves in his favor as his respectful and humble response differs to Brabantio’s own behavior. All the meetings were bold, contentious, and very modern. Cassio finds the handkerchief, and he asks Bianca to make a duplicate of it. "How now, my lord? O, no; he goes into Mauritania and takes away with him the fair Desdemona, unless his abode be... 232. Interprétation : Orson Welles (Othello), Micheál Mac Liammóir (Iago), Suzanne Cloutier (Desdemone), Robert Coote (Roderigo), Michael Laurence (Cassio), Hilton Edwards (Barbantio) Distributeur : Carlotta Films; Date de sortie : 23 avril 2014; Durée : 1h33 ; Être ou ne pas être ce que l'on est par Matthieu Santelli « C’est la cause, c’est la cause, ô mon âme ! bold Iago. CASSIO : Welcome, Iago; we must to the watch. Good night. Enter Iago. Othello’s trust in and bond with Iago ‘This fellow is exceedingly honest and knows all qualities, with a learned spirit, of human dealings’ Othello wrongly believes that Iago is honest and compassionate. Des universitaires ont fait un rapprochement entre les talents de manipulatrice de Bette et ceux du personnage de William Shakespeare, Iago[3],[4]. Lors des festivités organisées pour célébrer la destruction de la flotte ennemie et les noces du Maure, il fait boire Cassio et envoie Roderigo le provoquer. In Act II, scene i, Cassio contributes to Iago’s anger by taunting the ensign about his inferior status: “Let it not gall your patience, good Iago, / That I extend my manners. Stand in bold cure. – 2.3 couple not yet consummated their marriage ‘’Come, my dear love, / The purchase made, the fruits are to ensue; / That profit’s yet to come ‘tween me and you.’ He finds it hard to adjust to the marital existence having been in the armed forces for long. OR: What do you think motivates Iago? He admires and loves his wife, but he can't believe that she would be in love with him. À son instigation, Othello observe de loin une discussion entre Cassio et lui-même, à propos de sa maîtresse, Bianca. Le comble est atteint quand Bianca arrive en portant le fameux mouchoir, que Cassio lui a donné après l'avoir trouvé dans ses affaires. Iago warns Othello about Brabantio’s anger, but Othello is confident in his own strength and in his love for Desdemona…. Cassio, qui a trop bu, s'emporte et blesse accidentellement Montano, le gouverneur de Chypre ; Othello est contraint de le dégrader. 120-123). Othello. Ironiquement, tous les efforts désintéressés de Desdémone en faveur de Cassio, vont alimenter le doute inspiré par Iago. Othello (1981, Royaume-Uni) de Jonathan Miller, avec Anthony Hopkins, Bob Hoskins, Penelope Wilton, Rosemary Leach. Iago est un officier au service du général vénitien Othello. Othello, le Maure de Venise (Othello, the Moor of Venice en anglais) est une tragédie de William Shakespeare, jouée pour la première fois en 1604. Othello. Act 1, scene 3 The duke and the senators discuss the movements of the Turkish fleet and conclude that its target is, indeed, Cyprus…. Othello has to leave his wife, who will follow later, so he entrusts Iago to ensure that Desdemona has a safe passage to Cypres. Cassio 2.1 line 75. the virtuous Desdemona. Exeunt OTHELLO, DESDEMONA, and Attendants. ‘‘Othello’s downfall is jealousy (Othello’s Tragic Flaw) Iago tells Othello not to be jealous when Othello thinks his wife is cheating on him. My suit to her Is that she will to virtuous Desdemona Procure me some access." Iago makes a bold move, linking his two plots together: He urges Roderigo to kill Cassio, explaining that Cassio's death will prevent Othello being sent elsewhere and, therefore, keep Desdemona in Cyprus. ‘Our great Captain’s captain, placed in the care of the bold Iago, who’s arrived a week before I had anticipated.’ Cassio looked up at the sky. 199 That e'er our hearts shall make! Good night. All Acts are listed on the Othello text page, or linked to from the bottom of this page.. ACT 2. Come, my dear love, The purchase made, the fruits are to ensue; That profit's yet to come 'tween me and you. Ironically Iago is repeatedly described as honest - this shows that Iago is such a skilled manipulator: Cassio says that he "never knew a Florentine more kind and honest" Desdemona declares "O, that's an honest fellow" He persuades Othello that his "honesty and love doth mince this matter" when the opposite is … to depute Cassio in Othello's place. Iago had also initially set up the contrast between Othello and Desdemona in black and white: “an old black ram” (1.1.87) and a “white ewe” (1.1.88). Ce dernier a une totale confiance en lui, mais Iago le hait secrètement : il est persuadé que sa femme, Emilia, le trompe avec Othello, et est mécontent d'avoir été supplanté par Cassio pour une promotion. Come hither. On relève peu de noms propres, peu de détails précis permettant de situer précisément l’action d’Othello ; cependant, nous savons que Shakespeare s’est beaucoup inspiré de la bataille de Lépante, celle-là même où Cervantès perdit son bras gauche. She that I spake of, our great captain’s captain, Left in the conduct of the bold Iago; Whose footing here anticipates our thoughts A se’nnight’s speed. A cry within 'A sail, a sail, a sail!' Cassio 2.3 line 325. brave Othello. Iago might have caused the tension, but it was really Othello who let everything go down hill. Iago resents Cassio, a man with ‘a daily beauty in his life’ (5.1.19), hates being tied to Othello’s service and yearns for preferment. The tone of Othello is dominated by Iago's voice. Ils cherchent à discréditer le Maure, qui aurait bafoué l'honneur de Brabantio. Swell his sails with your own powerful breath so that he will bless this bay with his tall ship, fall into Desdemona’s loving arms, raise our exhausted spirits and bring comfort to Cyprus.’ ’Tis my breeding / That gives me this bold show of courtesy” (II.i. Marin, messager, héraut, officiers, gentilshommes, musiciens, gens faisant suite. The day had broke 35 Before we parted. Iago arrives with Desdemona, his wife, Emilia, and Roderigo. Othello’s statement reveals how well Iago is at manipulating people into seeing him as a … 196 I cannot speak enough of this content; 197 It stops me here; it is too much of joy: 198 And this, and this, the greatest discords be [They kiss.] 10 : To DESDEMONA : Come, my dear love, The purchase made, the fruits are to ensue; That profit's yet to come 'tween me and you. Othello trusted Iago in every respect, often calling him “Honest Iago”. Cest sans d… Avec 1 097 vers, il est celui qui parle le plus de toute la pièce, devant Othello lui-même. La tragédie d'Othello a été adaptée deux fois pour le théâtre lyrique : Eugène Delacroix, peintre romantique, réalise entre 1847 et 1849, un tableau inspiré par la pièce Othello et Desdémone, conservé au Musée des beaux-arts du Canada à Ottawa[5]. Is he a disgruntled employee? In the opening scene of the play Iago discusses his hatred of Othello with Roderigo, a young man Iago is taking advantage of (and money from) who wants Desdemona for himself. Iago y voit l'occasion de mettre son plan en œuvre. Tracy Chevalier a transposé dans une école secondaire de Washington D.C., dans les années 70, la tragédie de Shakespeare. The characters in Othello are acting like normal people pursuing everyday undertakings. Necessity forces his hand, and, in order to destroy Othello, he must also destroy Roderigo, Emilia, Desdemona, and ultimately himself. Drame d'Orson Welles, avec Orson Welles (Othello), Michael MacLiammoir (Iago), Suzanne Cloutier (Desdémone), Robert Coote (Rodrigo), Michael Lawrence (Cassio), Hilton Edwards (Brabantio), Fay Compton (Emilio), Nicolas Bruce (Lodovico), Doris Dowling (Bianca), Joseph Cotten, Joan Fontaine. Iago is doing this to push Othello past the point of sanity so that Othello is about to go mad and cannot get the idea of killing Desdemona out of his head. Cherchant Othello, ils le trouvent alors qu'il vient de recevoir une convocation chez le Doge. However, the less experienced Michael Cassio was given the position instead, largely fo… Le personnage d'Edmond Barbentane, dans Aurélien d'Aragon se déguise en Othello lors de la fête chez Valmondois, dans le chapitre LXIX. While Iago’s and Brabantio’s remarks in Act 1 exude what is today accepted as racism, the Duke’s pronouncement that Othello is ‘far more fair than black’ and Montano’s claim that ‘the man commands / Like a full soldier’ (2.1.36–37) indicate the high esteem others have for him. Later, in a conversation with Iago, Roderigo confesses that he has had enough of his romantic quest and plans to withdraw. In Venice, at the start of Othello, the soldier Iago announces his hatred for his commander, Othello, a Moor. Le cousin de Desdèmone, Lodovico, arrive et annonce que le maure est rappelé à Venise et que Cassio est son successeur en tant que gouverneur de Chypre. Othello Analysis . Fou de jalousie, Othello finit par tuer sa femme, mais les plans de Iago sont révélés par Emilia et il est arrêté, tandis qu'Othello se suicide. Iago is a man with an obsession for control and power over others who has let this obsession take over his whole life. In happy time, Iago. Iago convincingly states: “As, to be bold with you,/Not to affect many proposed matches/Of her own clime, complexion, and degree,/Whereto we see in all things nature tends” (III.iii. He has the ability to charm and convince people of his loyalty and honesty–“Honest Iago,” according to Othello–but the audience is immediately introduced to his vitriol and desire for revenge, despite his lack of proved reason. He is the victim of an envious monster of jealousy (Langis 61). Iago. Iago represents evil and cruelty for … Iago, dans cette optique, est donc le symbole du puritanisme, Othello, le noir à qui l'on fait commettre des abjections ne saurait être autre que Shakespeare lui-même, Cassio, représenterait alors quelque autre auteur contemporain de Shakespeare comme Christopher Marlowe ou Ben Johnson. Shakespeare et son public étaient friands de personnages extrêmes, de représentations de la folie humaine et de scènes de violence et de mort. 100 – 102). The woman I told you about, our great captain's captain, left under bold Iago's watch. A se’nnight’s speed. 233. IAGO I'll send her to you presently; Iago, passing by, says he will send Emilia in himself, and promises to occupy Othello so that Cassio can speak to Desdemona uninterrupted. Harold Bloom: It is Othello’s tragedy, but Iago’s play. The very head and front of my offending Hath this extent, no more. The behaviour of Iago can be seen as jealousy towards his successful leader Othello, who at the beginning promoted Michael Cassio instead of Iago. Othello le blesse en comprenant son erreur, avant de se suicider aux côtés de sa femme. L'« honnête » Iago est l'un des personnages les plus maléfiques et machiavéliques de l'œuvre de Shakespeare. Cassio est attaqué et blessé par Iago et Roderigo, mais ce dernier est lui-même gravement blessé. En 2017, la maison d'édition Hogarth (qui fait partie de Penguin Random House) a publié, dans le cadre de son Shakespeare Project, un roman de Tracy Chevalier, New Boy. Due to all of the dramatic irony in the play, the reader knows Iago tells a bold-faced lie to Othello. Othello believes Iago to be his personal friend. Iago et Roderigo se rendent chez Brabantio pour lui apprendre que sa fille, Desdémone, a quitté le toit paternel pour rejoindre Othello. Possibly the most heinous villain in Shakespeare, Iago is fascinating for his most terrible characteristic: his utter lack of convincing motivation for his actions. Othello may be impressive on the battlefield, but his own personal insecurity leads to the tragic end of the story. This appears to be his starting point for hating Othello, and feeds on the unlikely match of a coloured soldier to a young beautiful Venetian woman. The last is Iago, … CASSIO Why, no. I have made bold, Iago, 34 To send in to your wife: my suit to her 35 Is, that she will to virtuous Desdemona 36 Procure me some access. When Emilia hands over the handkerchief to Iago, the plot against Othello quickens. Une violente tempête sépare les navires et les protagonistes arrivent séparément à Chypre où ils apprennent que la tempête a détruit la flotte ottomane. honest Iago. 199 O, you are well tuned now! Iago 2.1 line 294 . Michael, good night: to-morrow with your earliest : Let me have speech with you. OTHELLO Most potent, grave, and reverend signiors, My very noble and approved good masters: That I have ta'en away this old man's daughter, It is most true; true, I have married her. IAGO 31 You have not been a-bed, then? Iago goes to find Emilia, and Cassio–duped like Othello–marvels at how “kind and honest” he is. Due to all of the dramatic irony in the play, the reader knows Iago tells a bold-faced lie to Othello. "..I have made bold, Iago, To send in to your wife. IAGO You have not been a-bed, then? Cassio 2.1 line 73. the lusty Moor. After Othello repeatedly urges Iago to tell him what's on his mind, Iago says "O, beware, my lord, of jealousy;/ It is the green-eyed monster, which doth mock/ The meat it feeds on." Honest Iago. Othello. Iago crudely informs Brabantio, Desdemona’s father, that Othello and Desdemona have eloped. Iago le récupère par l'intermédiaire de sa femme, Emilia, et dit à Othello qu'il l'a vu en possession de Cassio. Iago organise une autre mise en scène. Michael, good night: to-morrow with your earliest : Let me have speech with you. Othello kills himself, Brabantio dies from grief, after his arrest Iago, like Othello is Cinthio’s tale ‘never will speak.’ Othello & Desdemona only recently eloped when O is convinced of D’s infidelity. Othello has promoted Cassio, not Iago, to be his lieutenant. IAGO [Aside.] 7–32). To start off, Iago insinuates that Desdemona is unfaithful to Othello, as she prefers only people of her „type‟, a class Othello will never belong. 3. Though Iago even says that he is unsure if the rumour is true, therefore suggesting again that Iago has no real motive for his hatred for Othello is instead wishing to look for excuses for his actions, despite how ludicrous the excuse may be. Après la mort d'Othello, Lodovico ordonne à Cassio, qui succède à Othello en tant que gouverneur de Chypre, de s'occuper de l'exécution de Iago. “A maiden never bold, Of spirit so still and quiet that her motion Blushed at herself” Desdémone possède un mouchoir dont Othello lui a fait cadeau. Cassio entre avec Iago, qui venait de lui parler de son amour Bianca. , othello bold iago ce dernier parvient à le convaincre qu'il agit bien dans son lit... Othello, réhabilité, pour. Tells a bold-faced lie to Othello as his respectful and humble response to. Have caused the tension, but Othello is confident in his own personal insecurity leads to the existence! Scene, he claims to be angry at Othello for having passed over... 32 Why, no more here, a quitté le toit paternel pour Othello... Than i expected handkerchief to Iago, Roderigo confesses that he has had enough of his romantic quest plans. 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