Set in Louisiana in the 1970s, it follows a group of National Guardsmen—including Powers Boothe, Keith Carradine, Fred Ward, Les Lannom, T.K. Walter Hill’s The Driver is the Golden Standard. Walter Hill He is widely known for his action films and revival of the Western genre. Streets Of Fire was a box-office dud, but Hill directs with flair and clearly had a great time blending genres. Sign up for our Email Newsletters here. Hill’s last film, the prison boxing drama Undisputed, was released back in 2002. Russo Brothers Developing Modern Christmas Carol Movie, All Walter Hill Movies, Ranked Worst To Best, How H.R. Legends of Film is proud to present a rare interview with Producer, Writer, and Director Walter Hill. Data uscita al cinema: 19/10/2017. Southern Comfort is incredibly tense and atmospheric, and is probably the closest Hill came to a horror movie. Una ragazza (Isabelle Adjani) e` testimone. - VM 14 Frank Kitchen è un killer infallibile, ma la scia di cadaveri che ha lasciato alle spalle ha in serbo per lui un doloroso contrappasso. The performances are great and it takes a complex view of the main characters. Carter and Peter Coyote—out for maneuvers in the swamps. is emotionally and narratively stripped down to resemble the sleek, polished surfaces of... well, muscle cars, but also movies by the likes of Walter Hill ("The Driver"), Michael Mann ("Thief"), William Friedkin ("To Live and Die in … In addition to writing and directing the movies on this list, Hill wrote Sam Peckinpah's The Getaway, co-wrote and produced Alien and was one of the creative forces behind both Tales from the Crypt and Deadwood on HBO.If you grew up watching action films, crime movies … Its violence is nasty, the tone is grim, its characters mean-spirited and vulgar and if it wasn’t for Murphy’s charms, you’d have a completely unlikable picture. Hill first Western was famous was casting real-life brothers like Dennis and Randy Quaid to play the title outlaws. Edgar Wright admitted Baby Driver was massively inspired by Hill's movie. His last notable film, “Last Man Standing,” has its charms too, in its 1920s spin on “Yojimbo.”  And one shouldn’t forget Hill’s power as a writer and producer, from early gig “The Getaway” (which he was originally meant to co-write with Peter Bogdanovich, before penning it on his own) to his crucial uncredited work, with frequent collaborator David Giler, on the original “Alien.”, Below, a quick exclusive clip from ShoutFactory of  Keith Carradine looking back on “Southern Comfort”, –Oliver Lyttelton, Rodrigo Perez, with Jessica Kiang. He has written words for Den of Geek, Collider, The Irish Times and Screen Rant over the years, and can discuss anything from the MCU - where Hawkeye is clearly the best character - to the most obscure cult b-movie gem, and his hot takes often require heat resistant gloves to handle. “Streets Of Fire” (1984) Reviews. Walter Hill's most recent project is sadly his weakest. Walter Hill Biography: An assistant director in the late '60s, Hill worked on the scripts of several films in the early '70s, including Sam Peckinpah's The Getaway and John Huston's The Mackintosh Man. The Long Riders was a modest success upon release but has been reappraised as one of Hill's best. Apart from the cop already holding deep contempt for the prisoner he’s supposed to conspire with to catch his man, the ugly storm of odious ball-busting racial epithets he rains down is near unrelenting. Interviews with leading film and TV creators about their process and craft. Trespass Walter Hill, 1992. In fact, Peckinpah would have approved, as his spirit is all over the Western though Hill never subsumes his own identity. After “Southern Comfort,” Hill had the first major hit of his career with “48 Hrs,” the Eddie Murphy/Nick Nolte action-comedy, which bought him a fair amount of latitude in terms of what to make next. Established in the early 1970s as a writer of action movies (earlier he had ambitions to illustrate comic books), Walter Hill went almost unnoticed for … Last Man Standing Walter Hill, 1996. 33 Great 70s Films That Time Forgot. Walter Hill . This approach is certainly seen in Hill’s pure, minimalist and well-regarded crime thriller “The Driver,” but the technique is also evinced in his lesser seen debut “Hard Times.” Starring Charles Bronson in his pre “Death Wish” fame days (though “Death Wish” came out the year before, the sequels really cemented teh popularity of the franchise) the movie is set in the Great Depression and centers on a mysterious, aging bare knuckle brawler (Bronson) who engages in illegal street fights to eat and pay the rent. All Films ; Fandango US ; Amazon US ; Amazon Video US ; iTunes US ; Upgrade to a Letterboxd Pro account to add your favorite services to this list—including any service and country pair listed on JustWatch—and to enable one-click filtering by … Beyond its unpleasantness and dated dynamics, it’s still a (mostly) watchable film, but we’d be lying if we said this was the comedy classic of our youth that we still adored. When the movie ended, Walter Hill took the stage at the Aero Theatre, looked out at the crowd, and said, "I think there are more people here tonight than who saw it in 1978." In order to achieve this goal and avenge the death of his murdered partner, this grizzled, surly, unsympathetic cop (Nick Nolte as boozer, womanizer and bigot), breaks all the rules and springs another crook (Eddie Murphy) out of jail to help assist him track down the criminal. Walter Hill developed his craft as a screenwriter and director while working as a second assistant director onBullitt, Take the Money and Run, and The Thomas Crown Affair.Hill's first screenplay, Hickey and Boggs, was produced in 1972.Later, he penned The Getaway for director Sam Peckinpah, who became a major influence on his own filmmaking style. Related News. Sure, the felon has no choice, has a strong sense of canny irony and he does get his retributive licks in during a street fight, but the hard-R bigotry that colors the film is difficult to stomach even by the standards of those who can’t tolerate today’s prudish, politically correct witch hunting over any casual remark drawn outside the lines (the honky tonk bar scene is particularly bad). To Hill’s credit, “48 Hours” was a box-office sensation, jump starting the careers of all involved, and spawned (an inferior) sequel. Co-starring James Coburn, Jill Ireland, Strother Martin and Margaret Blye, desperation leads the truculent warrior to the hands of slick fighting promoter (Coburn), but the fighter’s trust is soon abused. Following extensive reshoots by another director and additional re-edits by Francis Ford Coppola, this messy sci-fi horror flick was released under the pseudonym Thomas Lee. “Trespass” (1992) Hard Times (1975) The Drowning Pool (1975) Writer Only. Probably Hill's strangest movie is a mixture of action movie, musical and even comedy. This mismatched buddy movie finds Sylvester Stallone's hitman paired with Sung Kang's uptight cop for a boilerplate action flick. It might be somewhat style over substance, but it’s an engaging and distinctive piece of work, and one that’s aged surprisingly well. The backstory of Supernova is WAY more interesting than the end product. If anything, Hill’s movie is memorable perhaps for just how unapologetic and brutal it is (Nolte’s character by and large is an unrepentant scumbag). Walter Hill (born January 10, 1942) is an American film director, screenwriter, and producer. Walter Hill Biography: An assistant director in the late '60s, Hill worked on the scripts of several films in the early '70s, including Sam Peckinpah's The Getaway and John Huston's The Mackintosh Man. He worked in oil drilling and construction in the 60s before becoming a 2nd assistant director in 1967. Walter Hill Celebrity Profile - Check out the latest Walter Hill photo gallery, biography, pics, pictures, interviews, news, forums and blogs at Rotten Tomatoes! Walter Hill is a legendary director, writer, and producer, so let's revisit his work from worst to best. Predator, the 2012 film Prometheus and the 2017 film Alien: Covenant through his production company Brandywine Productions.He also served as executive producer on the 1986 film Aliens. Walter Hill is an American film director, screenwriter and producer. Another 48 Hrs reteamed Eddie Murphy and Nick Nolte for another two days of angry banter and gunfights. Taciturn, and down on his luck, Bronson’s pugilist is classic archetypal Hill: a Zen-like man of few words who speaks through his actions. Walter Hill (USA, 1942), the scriptwriter of Sam Peckinpah's The Getaway, debuted with Hard Times (1975), set in the Great Depression, and the gangster movie The Driver (1978). Filmography of Walter Hill movies featuring cast and crew list, year and rating information | Contactmusic.com If some of the cast are a little patchy acting-wise, it’s made up for by the keen eye for physicality in picking them out, and by the rock’n’roll energy Hill brings to his direction. Bill Cosby and Robert Culp ("I Spy") are united again as private eyes in this Walter Hill-scripted "film noir." “Hard Times” (1975)Walter Hill famously said reading Alexander Jacobs’ script of John Boorman’s stylish, even nouvelle-vague influenced 1967 crime film “Point Blank” was revelatory to his process. Hill combines John Woo's two-fisted gunplay with the plot of Yojimbo for Bruce Willis star vehicle Last Man Standing. If “Hard Times” and “The Driver” displayed Hill’s debt to people like Peckinpah and the French New Wave, his third film (and first real cult hit) “The Warriors” showed that he could blend these things with a populist, almost comic-book sensibility, and it confirmed him as one of the most talented action directors around. The film in question was The Driver, a 70s car chase cult classic that the Aero was playing as… And one director whose reputation is on a definite upswing at he moment is Walter Hill. Friedkin Uncut (2019) Matt Zoller Seitz. It’s an essentially lawless world, like “The Warriors” turned up to eleven, and confirms, as if that earlier film had left any doubt, that Hill was one of the first “comic book” directors—in retrospect the film seems to be influential (for better or worse) on all kinds of contemporary tentpole and action filmmakers. Alien: Covenant Movie Review. The film’s implausible premise centers on a maverick police detective (cue every cop arguing-with-his-chief cliché) trying to chase down a vicious, cop-killing convict (James Remar) that’s on the loose. Walter Wesley Hill (born January 10, 1942) is an American film director, screenwriter and producer who produced the 1979 film Alien, the 1992 film Alien 3, the 1997 film Alien Resurrection, the 2004 film Alien vs. Copyright © 2020 Penske Business Media, LLC. Mickey Rourke gives a great central performance and the movie has intriguing themes, but for a thriller, it's rarely tense and a little dull in parts. Veteran cowboy Print Ritter (Robert Duvall) is ready to trade his life on the range for a ranch of his own. The son of a riveter who worked in shipbuilding, Hill was born in Long Beach, CA, on January 10, 1942. Hill's writing and directing style would be highly influential on other filmmakers, and he's considered a true auteur. Schwarzenegger's deadpan turn and some pulpy action scenes, including a climatic bus chase, make Red Heat decent Friday night action fare. A movie about a professional driver, regardless of make or model. Hill’s pretty much at the peak of his powers at this point, and there’s a rough and tumble steeliness to the action, all embellished by an excellent score by slide guitarist Ry Cooder, in his second of seven collaborations with the director. (1982), Brewster's Millions (1985)) and a more personal art cinema (The Driver (1978), Wild Bill (1995)), Hill's movies display a recurring thematic concern with masculine identity and male codes of honour, loyalty and betrayal. Sign up for our Email Newsletters here. Veering between mainstream commercialism (48 Hrs. Its influence on Nicholas Winding Refn‘s 2011 film “Drive” has been well noted, but its DNA can be found earlier. The film's iconic gangs, relentless pace, likable heroes and great use of music made it a hit and its reputation only seems to grow year after year. Hill began his career as a screenwriter on projects like Steve McQueen's The Getaway.After launching his directing career in 1975 he quickly established his own style; terse dialogue, brutal action scenes, and non-flashy camerawork. They’re only two factions in a complex cast of characters chasing the MacGuffin in a script that consciously nods to “Treasure of the Sierra Madre,” and there’s a morality play feel to Zemeckis and Gale’s script that goes as far back as Chaucer. Walter Wesley Hill Jr. January 10, 1942 Long Beach, California, USA. He began directing in 1975, and scored at the end of the decade with the gang film The Warriors. Edgar Wright: I first saw Walter Hill’s second film, The Driver, as a teenager, late at night on the BBC, quite possibly sitting too close to the telly. The Civil War-era set movie lends a sympathetic ear to the outlaws even as they rob banks and kill, framing them as outsiders who just want to be left alone and on the fringes of society. It’s ultimately an unpretentious B- movie at heart, and one that’s genuinely thrilling, tense and enjoyably mean-spirited throughout, with Hill handling the action in a way that was somewhat lacking in the previous year’s “Another 48 Hrs.” The film also works as a kind of canny time capsule, with Cube and T both at the height of their fame and demonstrating the impressive screen presences that saw them move away from rap to acting. The action scenes are some of the finest of Hill's career, but when the gunfire stops the plot tends to slacken. He can be found as i_Padds on Twitter making bad puns. Walter Hill famously said reading Alexander Jacobs’ script of John Boorman’s stylish, even nouvelle-vague influenced 1967 crime film “Point Blank” was revelatory to his process. Just last year we ran our original five-strong Essentials piece on his career to date, and cited “Southern Comfort” as being an unjustly overlooked entry in a canon which was itself all too often denied the kind of reverence reserved for other filmmakers of his vintage. . Hill’s last film, the prison boxing drama Undisputed, was released back in 2002. Wild Bill Walter Hill, 1995. Walter Hill Movies. All 20 Walter Hill Movies Ranked From Worst To Best Posted on August 14, 2017 August 14, 2017 by Tom Lorenzo Without having the fanfare of many of his fellow 1970s alum, Walter Hill is one of the most important and influential filmmakers of all time. Screenplay by Walter Hill & Troy Kennedy Martin – Read the treatment! He is widely known for his action films and revival of the Western genre.He has directed such films as The Warriors, Hard Times, The Driver, Southern Comfort, 48 Hrs. Perversions of Science: Dream of Doom Walter Hill, 1997. The audience laughed. The Undisputed STV sequels starring Scott Adkins are much more entertaining. Hill began his career as a screenwriter on projects like Steve McQueen's The Getaway. Un film di Walter Hill.Con Sigourney Weaver, Michelle Rodriguez, Tony Shalhoub, Anthony LaPaglia, Terry Chen.Titolo originale The Assignment.Thriller, durata 95 min. Ask any guy who came of age sometime in the eighties what their favourite films were at the local video shop and chances are one of them will be Walter Hill’s seminal 1979 action adventure The Warriors – a film which is celebrating its 40 anniversary. He helped him express what he would call a “haiku-style” form of screenwriting that was lean and mean, and extremely spare. Western biopic Geronimo features a fantastic cast - Wes Studi, Gene Hackman, Matt Damon - and is directed with class, but it also feels like a big budget TV movie. "In his long career, Walter Hill has primarily been associated with the action genres of post-classical American cinema. “The Warriors” (1979) It’s growing a cult following, though, and, in our eyes, it’s about time. Hill also produced and rewrote the original Alien, and it was his suggestion to make Ripley the sole survivor; he returned to produce Aliens and Alien 3. Here are a few examples of ways you can filter the charts: The Top 10 Movies Directed by Walter Hill; The Top 20 Movies Directed by Walter Hill; The Best Horror Movies Of the 1980s Featuring an idiosyncratic original score by Ry Cooder (not afraid to use anachronistic elements like the electric guitar, which also distinguishes it from the pack), the movie has a melancholy tinge as if to suggest these halcyon days outside the law cannot last. Get The Latest IndieWire Alerts And Newsletters Delivered Directly To Your Inbox. The rest of the Warriors escape and try to head back to safer territory, but the leader of the Rogues, Luther (David Patrick Kelly), puts a hit on them, making them a target of every gang in the city. With a script co-written by Robert Zemeckis (Back To The Future), Trespass milks a lot of tension from its limited location and features a cast that includes Bill Paxton, William Sadler, and Ice Cube. The film follows an unnamed cop chasing an unnamed getaway driver, and the film is a stylish, pulpy delight with excellent car chases. Hill's directorial debut is a bare-knuckle boxing drama starring Charles Bronson (Death Wish). A part-time hobby soon blossomed into a career when he discovered he really loved writing about movies, TV and video games – he even (arguably) had a little bit of talent for it. Hill started out as an assistant director, working on the likes of “The Thomas Crown Affair” and “Bullitt,” before graduating to screenwriter of Sam Peckinpah‘s “The Getaway,”  the Paul Newman vehicle “The Mackintosh Man” for John Huston and the underrated crime noir “The Drowning Pool” also starring Newman. Solman, Gregory, "At Home on the Range: Walter Hill," in Film Comment , March/April 1994. Hard Times (1975) The debut film from Hill that would start it all. He has written and co-written screenplays, including several uncredited works. The son of a riveter who worked in shipbuilding, Hill was born in Long Beach, CA, on January 10, 1942. https://www.theguardian.com/film/2014/jul/17/walter-hill-action-movie-interview Buy Movies. Contemporary genre cinema owes a huge debt to Walter Hill. Hill shot the movie, only to drop out during post-production over creative disagreements. And many forget it was accepted to play in Competition at the Cannes Film Festival, perhaps because of its clear-cut rhythms, both more languid in pace, but explosive in its use of balletic, slo-motion violence not unlike the films of Sam Peckinpah. Hard Times (1975) The debut film from Hill that would start it all. Hill once commented that every movie he ever made was a Western, even when it’s not evident on the surface. The following lists the films and miniseries in the IMFDB written or directed by Walter Hill: Film. While you wonder what would have happened if, say, Kurt Russell had been in the lead role, Michael Pare’s blandness is turned into something closer to mystery in Hill’s hands, while Dafoe’s a great villain, Amy Madigan (as sidekick McCoy) is terrific fun, and Lane (then only 19) is worth fighting through a string of bikers for, even if she and Pare share little chemistry. Sometimes I don't feel like man enough to watch Walter Hill movies. Inseguimento per le strade della citta`: il pilota e` abilissimo nel distruggere auto della polizia facendole schiantare. Aside from the controversial gender reassignment storyline, The Assignment is a cheap, cheerless thriller just barely propped up by a talented cast, including Michelle Rodriguez and Sigourney Weaver. Walter Hill is a legendary director, writer, and producer, so let's revisit his work from worst to best. Il cinema di genere del regista Walter Hill percorre parallelamente i binari del western e dell'action movie underground, con una perfetta contaminazione degli stili che l'ha resto un … He's super modern too, so his favorite movies include Jaws, Die Hard, The Thing, Ghostbusters and Batman. And what a way to start it off, but with a depression era bare knuckle boxing movie starring Charles Bronson. Biography, movies, phrases and photos of Walter Hill. It’s been a decade since the words ‘A Walter Hill film’ have graced the screen. Screenplay by Walter Hill – Read the treatment! Southern Comfort is a thinly veiled Vietnam parable, where a bunch of Army Guardsmen make enemies of Cajun locals while on maneuvers. This 1980s pastiche (isn't that the "Risky Business" typeface lit up in neon pink?) . Probably Hill's most popular film as director, The Warriors finds the titular gang framed for a murder and having to fight their way home. Related: All Of Quentin Tarantino Movies, Ranked. Unfortunately, the film's lax pacing and slow burn tension make it feel a tad flat. There’s a lot of subtext at play as well, the nominal heroes as much as fault for their own situation as anyone, and the Cajuns make surprisingly sympathetic villains. It’s, as you might expect from Hill, relatively spare and lean (the plot is, essentially, “go from point A to point B”), but he creates a rich world to play in, one that one suspects bears little relation to the real world at the time, but also feels shot through with the disco/punk/early hip-hop spirit of 1970s NYC. And what a way to start it off, but with a depression era bare knuckle boxing movie starring Charles Bronson. Service. The spareness of the script—influenced by Jean-Pierre Melville and “Le Samourai” in particular—can be a touch alienating, especially for modern audiences used to more coddling from their thrillers, but we’d say that it remains Hill’s best film. And yet as it depicts the mythos of these riders, family men who just want a piece of their own, it’s unsentimental as men live and die by the moral codes they choose to follow. 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A 50-year filmmaking veteran with a career that dates back to ’60s TV, Walter Hill has had a lasting influence on the world of film and TV. "Walter Hill," in CinemAction , January 1992. Recently he returned to the fray with “Bullet to the Head” which, with its meatheaded punchy-punchy quality, certainly won’t win him many new converts, even if we enjoyed it for the throwback it is. Red Heat (1988). 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Sign Up: Stay on top of the latest breaking film and TV news! Undisputed is a competent but drab prison boxing drama, where Wesley Snipes (Blade) must fight imprisoned heavyweight champion Ving Rhames. But his particular brand of muscly, masculine, often taciturn action languished for a long while in the action genre ghetto as regards critical appreciation: his films were often lauded for the stylishness, their slick amorality, the relentless thrum of their spartan, tense, thriller-ish elements, but were seldom treated as anything more than disposable by the critical establishment—until recently. He has directed such films as The Warriors, Hard Times, The Driver, Southern Comfort, 48 Hrs. If “48 Hours” had lasting value, little of it is held within mostly now-very-familiar odd couple dynamics that’s a lot less funny than we remembered. All 20 Walter Hill Movies Ranked From Worst To Best. Related: Every Christopher Nolan Movie, Ranked. Entertainment. The Getaway (1994). The Getaway (1972) Writer Only. 7. A former soldier rescues his ex-girlfriend, a talented singer, from Willem Dafoe's bike gang, and all sorts of craziness ensues. You suspect that if “Bullet to the Head” had antagonists of their charisma (and a script as taut as the one Hill had to work with), people would be a lot more excited about it. He has produced and directed films since 1975. Hickey & Boggs (1972) Writer Only. What intends to be an unvarnished examination of odd couples through race relations is pretty offensive by today’s standards. Get complete information on latest upcoming movies, latest releases, old movies, hit films, awards, etc on FilmiBeat. From Wikipedia, the free encyclopedia Walter Hill (born January 10, 1942) is an American film director, screenwriter, and producer. 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